ARTISTs' PRODUCTION METHODs

=>> Ricky Swallow: 'Killing Time' <<=

‘Killing time’ is a representative work of Ricky Swallow, which was the centre piece of his solo exhibition at the Australian Pavilion. The sculpture is carved mainly from the monochromatic timber and a pale colored hardwood. Although it catches the attention to the detail in the sea creatures hanging over the edge of the table and dumping from the bucket, Swallow devised to create strong shadows and highlights, pointing the inherent unreality of transferring animate to inanimate materials. As different places and lights will inject different inspiration and emotion to work designing, accordingly, the space and lights become the significant element of the illusionism of the sculpture. Since that, my studio is able to offer an appropriate work room to satisfy the any demand by the lights to the artwork creating.

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=>> Patricia Piccinini 'Bodyguard' <<=

‘Bodyguard’, the ambivalent hybrids three-dimensional sculpture by Patricia Piccinini – made from materials like silicon, fiberglass, leather, plywood, fur and hair. With the increasing number of endangered species, the nature world begins to produce the other life forms. This half-human and half-animal form represents the hyper-realistic and extraordinary biotechnical evolution. The real material, such as fur and human hairs, bring the vivid life to sculpture, and the artistic effects will be stronger when posing in the tailor-made illumination. The various illumination requirements will be fulfilling in my building, and the over ground part studios most comfort to design the remarkably realistic work.